Cultural Values: Enhancement and Communication

In October 2023, the Thai film "The Undertaker" topped the online communication trend. Following this, in December 2023, "Songkran in Thailand" was registered as an intangible cultural heritage. A study of online communication in Thai society in October 2023, conducted by Media Alert, the Safe and Creative Media Development Fund, and Wisesight, found that the film "The Undertaker" garnered the highest level of interest with 74.02 million engagements. The content of this communication was categorized into three main themes:

  1. Storyline, Production, Popularity
  2. Creators, directors, actors, and related personnel.
  3. The push is a form of soft power.

 

However, the issue of promoting the movie "The Undertaker" as a soft power tool generated the lowest level of engagement, at only 2.34%, compared to the other two issues. The majority of this communication took place on Facebook (51.29%), with the majority of communicators being media outlets and news organizations (58.68%).

"The Undertaker" is the sixth film in the Tai Baan universe. Following its release, the film became a social media sensation and grossed 720 million baht in just 46 days, setting a record for the highest-grossing Thai film in a decade. Deputy Prime Minister and Minister of Interior, Anutin Charnvirakul, stated that the film exemplifies the success of presenting rural lifestyles as a form of soft power that addresses many questions about their way of life. (Reference: Department of Public Relations)

While the United Nations Educational, Scientific and Cultural Organization (UNESCO) has declared “Songkran in Thailand,” a traditional Thai New Year festival, as an item on the Representative List of the Intangible Cultural Heritage of Humanity.

Both events have ignited pride in Thai culture. The Story Thailand therefore invited Dr. Thanayot Lohpatananon, a researcher at the Mekong Studies Center, Institute of Asian Studies, Chulalongkorn University, to analyze the phenomenon of UNESCO's declaration of "Songkran in Thailand" as an item on the Representative List of the Intangible Cultural Heritage of Humanity. We will examine how this communicates cultural values ​​and how Thailand can further develop the communication of these cultural values.

Communicating "cultural values" should be fun.

Creating emotional attachment to cultural images that are conveyed through fun, enjoyment, and inspiration, without directly presenting the culture itself.

“To successfully communicate cultural values, one must evoke feelings of fun, connection, and memorability. In our country, we focus on selling culture first, which causes the fun to be lost. It would be no different from writing a textbook on Thai culture that no one wants to read,” said Dr. Thanayot.

Data from the study indicates that online communication regarding the film "The Undertaker" frequently mentions memorable scenes, such as the scene where Bai Khao tricks the elder Khamtan and the scene where the monk runs away from the ghost. The film's theme song, "Yue," is also frequently discussed, reflecting the film's ability to create enjoyment and emotional connection while subtly incorporating Isaan culture and local wisdom through natural dialogue between the characters, making the essential cultural elements memorable.

“For a film to be popular, it needs to make the audience feel connected and naturally involved with the story. The undertaker's film reflects a different image of Isan people from previous portrayals. It's an innocent Isan people combined with wisdom. The characters in the undertaker's film constantly explain why they perform these rituals, what causes them, and what they serve as purposes,” said Dr. Thanayot.

Creating content to promote Thai culture requires three elements: information and the context of what is to be presented, creative principles, and imagination.

Dr. Thanayot stated that the main challenge lies in telling the story of culture in an entertaining way, so that the audience likes the characters (in films or dramas). It's not necessary to provide every cultural detail. The important thing in cultural communication is to pique people's interest, because once they are interested, they will research the culture further on their own.

He gave an example: every time the series The Crown airs, there's a huge surge in searches for information about the British royal family, even though the series contains several inaccuracies. He emphasized that the accuracy of the information in the series isn't as important as generating interest among viewers; the rest will lead people to search for information on their own.

“Content creation must make viewers ‘feel,’ not just ‘understand.’ Without emotion, no one will remember the content. In the past, Thailand has often communicated its culture too much from the perspective of cultural teachers, leading to constant scrutiny and the portrayal of culture as sacred, untouchable, and something to be serious about. This prevents people from connecting with culture. Cultural communication in entertainment media must allow for error; if it's entertaining and engaging, it will spark discussion and the search for accurate information,” said Dr. Thanayot.

An example of a fun and feel-good cultural value is Christmas, a foreign cultural tradition that is popular among Thais. This is because people associate Christmas with brightness and healing, leading to positive feelings during this time. This cultural value is not limited to a specific area or belonging only to those who practice Christianity.

Regarding Songkran in Thailand, while it is a shared cultural tradition among Buddhists living in Southeast Asia (Reference: Songkran in ASEAN, Ramkhamhaeng University Central Library), with water-splashing customs in many countries, Dr. Thanayot states that in Thailand, the water splashing is a joyful and fun experience. This has created a lasting impression that Songkran in Thailand is a time of ideal social interaction where everyone is friendly. This image has become a unique characteristic of Songkran in the Thai style.

On December 6, 2566, the 2003th Regular Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage (ICS-ICH) resolved to inscribe “Songkran in Thailand,” or “traditional Thai New Year festival,” on the Representative List of the Intangible Cultural Heritage of Humanity (RL List) under the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage of the United Nations Educational, Scientific and Cultural Organization (UNESCO). This is a source of pride for Thailand. (Source: Ministry of Foreign Affairs)

“Thailand doesn't monopolize Songkran water splashing, but Songkran and water splashing are uniquely Thai forms of interaction that make Songkran an iconic image of Thailand. We are passionate about and enjoy Songkran, which helps create a memorable image of Thai Songkran in the eyes of the world,” said Dr. Thanayot.

Songkran communicates friendship through the splashing of water—cold water in the hot weather. Everyone is a friend, regardless of nationality or religion. This inclusive friendship fulfills the human need for an ideal society.

Communicating cultural values ​​in a way that evokes enjoyment creates connection and memorability. Repeated presentation further enhances memorability because culture encompasses everything, both tangible and intangible, both formal and informal.

Communicating cultural values ​​and soft power.

Regarding the attempt to promote the movie "The Undertaker" as soft power, Dr. Thanayot stated that the understanding that creating Thai nationalism to promote the economy, trade, and tourism is soft power is a misconception. He explained that anything that can be soft power must have an underlying international political agenda.

For example, China's agenda is to build a Silk Road that gains global recognition for connecting China. Japan's agenda is to support Japanese businesses scattered around the world. The United States' agenda is to maintain its status as a leading nation. In American TV series or films, the concept of "American Exceptionalism" is often present, where viewers acknowledge excellence in technology, knowledge, culture, governance, etc.

Dr. Joseph Nye of Harvard University pioneered the definition of soft power as the ability to make others “want” and “accept” what you want. Most importantly, it involves attracting the needs of others so they accept it “willingly,” without coercion or intimidation. Because when new things are not viewed as enemies, humans are instinctively more likely to reduce resistance and be more open to acceptance. [Reference: Thailand Convention and Exhibition Bureau (TCEB)]

Cultural communication requires strategic planning and consistent communication.

Every successful communication is planned. Dr. Thanayot stated that the success of the movie "The Undertaker" was due to strategic planning, including the creation of the "Thai Baan The Series" and the continuous construction of a fan base. This fan base, particularly influential online personalities who consistently communicated on social media, played a significant role in boosting the movie's popularity. This aligns with research findings indicating that the movie garnered significant attention and became a major trend partly due to the communication of social media influencers and news outlets.

The study found that social media users who communicated about the movie "The Undertaker" were social media influencers capable of generating up to 49.1 million engagements. The majority of the content consisted of posts promoting the movie, behind-the-scenes footage, and congratulations on the film's box office earnings of 720 million baht.

“Cultural communication requires strategic planning. It needs to have a common goal and principles, but communicated on different platforms. Ordinary people create and share videos among friends, influencers communicate to their fanbases, while the mass media presents it in a different format,” said Dr. Thanayot.

Dr. Thanayot stated that every country that has successfully communicated its culture has a communication plan called an "entertainment theme." Each country presents the core of its culture in an entertaining way. For example, Japan communicates its culture through comics, both in manga and anime. Japan presents Japanese culture intensely through its comics, but it's a form of cultural communication that is both fun and conveys specific values: a sense of Japanese peace and simplicity. In the case of the United States, it presents American values—modernity, inspiration, and imagination. In contrast, China focuses on communicating Chinese culture through the beauty of its actors, sets, and costumes. This beauty is created to dispel preconceived notions of China as backward; therefore, China uses media to erase those preconceived notions about China.

Dr. Thanayot concluded by saying that Thailand has lacked a plan for communicating its cultural values. He emphasized that cultural communication must be continuous, both in quantity and frequency, to ensure retention.

"The state should develop a strategy for communicating cultural values ​​by disseminating information to a wider audience, allowing them to express culture in their own ways and interpret it themselves. Cultural communication doesn't have to be limited to traditional methods."

Share link
Facebook
LinkedIn
X
Threads

Latest articles

Search

Latest article:

Mr. Pramote Boonnamsuk

Deputy Manager of the Safe and Creative Media Development Fund

  • Bachelor of Business Administration and Management, Marketing Major, Assumption University of Business Administration.
  • Master's Degree in Computer Science Administration and Management, Assumption University of Business Administration.
  • Director of Policy, Strategy and Research, Safe and Creative Media Development Fund.
  • Head of New Business Strategy, Thaicom Public Company Limited.
  • General Manager, Thai Advance Innovation Co., Ltd.
  • Marketing Manager, High-Speed ​​Internet Services via Satellite, Thaicom Public Company Limited.
  • Marketing Director, CS Login Public Company Limited.

Dr. Chamnan Ngammaneeudom

Deputy Manager of the Safe and Creative Media Development Fund

  • Bachelor of International Business Management, Assumption University (ABAC)
  • Master's Degree in Business Administration (Marketing), Assumption University (ABAC)
  • Doctor of Philosophy in Business Administration (Commerce), Magadh University, India
  • Faculty of Journalism and Mass Communication, Thammasat University
  • Representing Thailand in international lectures, conferences, and negotiations.
  • Special Committee considering the Draft Act on the Organization for Frequency Allocation and Regulation of Broadcasting, Television and Telecommunications Businesses, B.E. 2564 (2021).
  • Honorary Advisor to the Ad Hoc Committee on the Establishment of an Agency to Manage the Promotion of Medium, Small, and Micro Enterprises, National Legislative Assembly.
  • Academic staff member of the Commission on Commerce and Intellectual Property.
  • Advisor to the Sub-Committee on Special Economic Zones, Committee on Finance, Banking, and Financial Institutions.
  • Head of the Department of Global Business Management
  • Head of the Human Resource Development Center, Faculty of Commerce, Burapha University.
  • He is a professor, lecturer, and thesis examination committee member at the master's and doctoral levels at many universities, including Burapha University, Assumption University, Silpakorn University, Mahidol University, and Sripatum University, among others.
  • Consulting services in the preparation of master plans for international business, broadcasting, television, and telecommunications.

Dr. Dhanakorn Srisooksai

PhD CEO, Thai Media Fund

  • Bachelor of Laws, Thammasat University
  • Master of Arts (Social Development), Faculty of Social Development, National Institute of Development Administration.
  • Master of Arts (Political Economy), Faculty of Economics.
  • Chulalongkorn University, Doctor of Philosophy (Mass Communication)
    Faculty of Journalism and Mass Communication, Thammasat University
  • Manager of the Safe and Creative Media Development Fund, 2nd term.
  • Faculty of Journalism and Mass Communication, Thammasat University
  • Subcommittee for Broadcasting Licensing Consideration, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Staff member of the NBTC (National Broadcasting and Telecommunications Commission): Lieutenant General Dr. Peerapong Manakit, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Frequency Reclamation and Compensation for the 700 MHz Frequency, National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee for Licensing of Television Businesses, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Promoting Self-Regulation of Broadcasting and Television Operators, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Defining the Characteristics and Types of Broadcasting and Television Businesses, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Assistant Managing Editor, TITV television station (before its transition to Thai PBS), Office of the Permanent Secretary, Prime Minister's Office.
  • Executives and presenters of the INN News Group.
  • Head of the working group for the proactive public relations project in the southern border provinces, Development Command, Royal Thai Armed Forces.
  • Training course for Public Sector Financial Management Executives (PSF), 9th batch.
  • As a representative of the National Broadcasting and Telecommunications Commission (NBTC), I joined a delegation from the Ministry of Foreign Affairs to study approaches to countering violent extremist ideologies and the creation of counter-narratives in the United Arab Emirates from September 30 to October 3, 2561.
  • I attended a Broadcast and Content Regulation training course organized by the National Broadcasting and Telecommunications Commission (NBTC) in collaboration with the Thomson Foundation of the United Kingdom and the Institute for Defense & Business of the United States.

Lieutenant Colonel Dr. Thanakrit Ekayokya

Deputy Manager of the Safe and Creative Media Development Fund

  • Bachelor of Laws (LL.B.), Faculty of Law, Ramkhamhaeng University.
  • Master of Laws from The University of Auckland, New Zealand.
  • Doctor of Philosophy in Intellectual Property Law and Information Technology from The University of Southampton, England.
  • Vice President of the Thai Government Scholarship Students Association
  • Acting Director of the Trademark Office
  • Head of International Trademark Registration Division
  • Head of the ASEAN, APEC, and China Cooperation Group at the Department of Intellectual Property.
  • Participated in the working group for negotiating the Thailand-India FTA and the WTO while serving as a trade specialist at the Department of International Trade Negotiations.
  • Served as Commercial Counselor at the Royal Thai Embassy in Brussels.
  • Responsible for establishing a subsidiary of AOT to handle the transportation of perishable goods through special channels.
  • He has served as a visiting lecturer and thesis examination committee member for master's and doctoral degrees at several universities, including Chulalongkorn University, the National Institute of Development Administration, and Sripatum University, among others.

Dr. Chamnan Ngammaneeudom

Deputy Manager of the Safe and Creative Media Development Fund

  • Bachelor of International Business Management, Assumption University (ABAC)
  • Master's Degree in Business Administration (Marketing), Assumption University (ABAC)
  • Doctor of Philosophy in Business Administration (Commerce), Magadh University, India
  • Faculty of Journalism and Mass Communication, Thammasat University
  • Representing Thailand in international lectures, conferences, and negotiations.
  • Special Committee considering the Draft Act on the Organization for Frequency Allocation and Regulation of Broadcasting, Television and Telecommunications Businesses, B.E. 2564 (2021).
  • Honorary Advisor to the Ad Hoc Committee on the Establishment of an Agency to Manage the Promotion of Medium, Small, and Micro Enterprises, National Legislative Assembly.
  • Academic staff member of the Commission on Commerce and Intellectual Property.
  • Advisor to the Sub-Committee on Special Economic Zones, Committee on Finance, Banking, and Financial Institutions.
  • Head of the Department of Global Business Management
  • Head of the Human Resource Development Center, Faculty of Commerce, Burapha University.
  • He is a professor, lecturer, and thesis examination committee member at the master's and doctoral levels at many universities, including Burapha University, Assumption University, Silpakorn University, Mahidol University, and Sripatum University, among others.
  • Consulting services in the preparation of master plans for international business, broadcasting, television, and telecommunications.

Dr. Dhanakorn Srisooksai

PhD CEO, Thai Media Fund

  • Bachelor of Laws, Thammasat University
  • Master of Arts (Social Development), Faculty of Social Development, National Institute of Development Administration.
  • Master of Arts (Political Economy), Faculty of Economics, Chulalongkorn University.
  • Doctor of Philosophy (Mass Communication), Faculty of Journalism and Mass Communication, Thammasat University.
  • Manager of the Safe and Creative Media Development Fund, 2nd term.
  • Faculty of Journalism and Mass Communication, Thammasat University
  • Subcommittee for Broadcasting Licensing Consideration, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Staff member of the NBTC (National Broadcasting and Telecommunications Commission): Lieutenant General Dr. Peerapong Manakit, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Frequency Reclamation and Compensation for the 700 MHz Frequency, National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee for Licensing of Television Businesses, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Promoting Self-Regulation of Broadcasting and Television Operators, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Subcommittee on Defining the Characteristics and Types of Broadcasting and Television Businesses, Office of the National Broadcasting and Telecommunications Commission (NBTC).
  • Assistant Managing Editor, TITV television station (before its transition to Thai PBS), Office of the Permanent Secretary, Prime Minister's Office.
  • Executives and presenters of the INN News Group.
  • Head of the working group for the proactive public relations project in the southern border provinces, Development Command, Royal Thai Armed Forces.
  • Training course for Public Sector Financial Management Executives (PSF), 9th batch.
  • As a representative of the National Broadcasting and Telecommunications Commission (NBTC), I joined a delegation from the Ministry of Foreign Affairs to study approaches to countering violent extremist ideologies and the creation of counter-narratives in the United Arab Emirates from September 30 to October 3, 2561.
  • I attended a Broadcast and Content Regulation training course organized by the National Broadcasting and Telecommunications Commission (NBTC) in collaboration with the Thomson Foundation of the United Kingdom and the Institute for Defense & Business of the United States.